Since Arthur Conan
Doyle’s first publication of “A Study in Scarlet” in 1887, Sherlock Holmes has
become the most portrayed literary human character in film—a 2012 Guinness
World Record. With exactly 254 film portrayals of renowned detective, starring
renowned actors such as Basil Rathbone, Jeremy Brett, and Robert Downey Jr., it
would seem difficult to create a fresh adaptation without rehashing old
material. Yet, co-creators Steven Moffat, producer and screenwriter of the
popular television series Doctor Who,
and Mark Gatiss, a living dictionary on all things Sherlock Holmes, have done
just that. In 2010, they aired the first season of Sherlock, a television series that brought that legendary sleuth to
life in 21st century London—a technological city teeming with skyscrapers,
cell phones, and black taxicabs.
The
first episode, “A Study in Pink,” begins with John Watson, played by Martin
Freeman, who has recently been invalided out of the War in Afghanistan and unhappy
with life. He finds a source of adventure and daring in the astounding Sherlock
Holmes, played by Benedict Cumberbatch, who he meets through a mutual friend at
St. Bartholomew’s Hospital. After an astonishing demonstration of Sherlock’s
deduction abilities, John decides to take up lodgings with Sherlock at 221B
Baker Street, where he quickly learns about Sherlock’s work as “the world’s
only consulting detective.”
I
really enjoyed the colorfulness of some minor characters in Sherlock. New
Scotland Yard, in the form of Detective Inspector Lestrade and occasionally
Sergeant Donovan (who stubbornly refers to Sherlock as “Freak”), grudgingly
applies to Sherlock for help in its most puzzling cases. Played by Gatiss
himself, the cynical and rather dramatic Mycroft likes to keep a watchful eye
on his younger brother Sherlock. He even attempts bribing John into spying on
him! Jim Moriarty is Sherlock’s theatrical archenemy, brilliantly portrayed by
Andrew Scott. The ultimate villain, Moriarty enjoys “playing” with Sherlock and
calling him out, much like in a western shootout.
This
younger, more contemporary Sherlock still plays the violin when cases get rough
and mopes on the sofa when there’s none to solve, but does have his differences.
As smoking in public has become
practically illegal in London, Sherlock is forced to wear nicotine patches,
instead of smoking cigarettes or a pipe. He’s addicted to texting and intensely
dislikes the increasing public adulation caused by the publication of his cases
on John’s Internet blog. Oh, and by the way, the whole deerstalker hat was all
a mistake. Sherlock hates how he looks in one.
Unlike
previous adaptations, Sherlock gives
viewers a vivid insight in the workings of Sherlock’s mind by using fast-paced
dialogue and special camera movement. When Sherlock assesses a person or an
object, the camera acting as his eyes zoom in on specific details, such as a
spot on someone’s lapel or the ring on a lady’s hand. Then, Sherlock’s mental deductions
will appear in faint words on the screen, explaining the reasoning behind his
seemingly outrageous conclusions.
I
thought the best aspect of Sherlock is
how Moffat and Gatiss humorized Sherlock and John’s close relationship by
playing off today’s issue of homosexuality. Various people throughout the
series mistake John for Sherlock’s boyfriend. For instance, when John first
decides to move in with Sherlock at 221B Baker St., the landlady—not
housekeeper—Mrs. Hudson asks if they’ll be needing two beds because the
landlady across the street’s “got married ones.” The mixup often frustrates
John as this, coupled Sherlock’s eccentric behavior, often hinders or
completely obliterates John’s chances of keeping a steady girlfriend.
With
creative twists to the original stories and multi-colored characters, Sherlock gives viewers a whole new
perspective into the adventurous world of British crime and deduction. Whether
a die-hard Holmsian or not, Sherlock
is sure to offer an interesting plot, fantastic deductions, and plenty of
humor. Other film adaptations have done well, but this is definitely the
perfect Sherlock for the modern generation. The only consolation fans have
while they wait (most impatiently!) for the airing of Season 3 is to immerse
themselves in previous episodes—and that just intensifies the anticipation.
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